BEATRICE AND SIDNEY WEBB IN 1898 DESCRIBED ADELAIDE – named after a German duchy princess – to be charming like “a German Residenzsdt”. But “German” was a misleading group identity for the 7% of the population, and South Australia’s largest non-British group, in South Australia in the early 20th Century.
South Australian Germans were divided and disunited by culture, class and country of origin. Farmers from Silesia and Brandenburg, missionaries from Dresden, Berlin liberals, Hamburg merchants, Harz Mountains miners or graduates from some of the world’s best universities made up the mix. They brought an array of knowledge and talents that influenced so many fields.
But they spoke a common language and they clung to aspects of traditional German lifestyle.
In early 20th Century Adelaide, German speakers could go through a day without needing English when they shopped, went to the doctor or dentist; read the Australische Zeitung in a konditorei (coffee shop) or dined in the city’s German hotels: the King of Hanover or the Hamburg in Rundle Street.
Their influence was challenged by the World War I, especially, but that influence was ingrained in the state’s culture. Only South Australians knew and liked Carl Linger’s “The Song of Australia”. Only South Australians liked Menz Yo-Yo biscuits – or fritz. Or Berliner (later Kitchener) buns.
The German wine legacy was entrenched through figures such as Joseph Seppelt. In music, Herman Heinicke (assaulted by students in the anti-German wave of 1914) and Gotthold Reimann were central to Adelaide College of Music and Elder Conservatorium.
German settlers formed strong enclaves in the city and North Adelaide but they also ventured into the rugged regions. Examples were the German missionaries and botanist J. A. Herrgott who discovered Hergott Springs (now Marree) on John McDouall Stuart’s 1859 expedition.
German energy and industry in so many areas grew against underlying cultural resentment reflected in Tom Playford II’s 1868 remark in the House of Assembly to a German-born MP: “I believed the stinkwort came from Germany and was not the only weed that came from that country”. That resentment boiled up before World War I but German influence survived in a new leavened form. all its diversity, to be strong and entrenched enough to survive the war backlash
SILESIAN LUTHERAN REFUGEES, 1848 REVOLUTION POLITICAL MIGRANTS, HARZ MOUNTAIN MINERS
George Fife Angas, a pious Protestant Dissenter, loaned £8000 to pastor August Kavel and 200 of his southern Prussian Lutheran followers, seeking religious freedom, for the charter of four ships to bring them to South Australia. As chairman of the South Australian Company, leading the colony's early development, Angas was anxious to recruit fellow pious Dissenters to the province. and Pastor Kavel’s devout German families were the largest group he attracted. Kavel was pastor in Klepsk (Klemzig) in Prussia, where a bitter struggle rose from the king's attempt in 1817 to unify Lutherans and Calvinists. Kavel, at first, followed the royal decree but found it against his conscience. In 1835, he was sent by his congregation to Hamburg, to seek aid to migrate to America to worship freely. Kavel heard of Angas and went to England. When the South Australian Company refused to cover the cost of transporting Kavel’s group, Angas made a loan to the emigrants for the cost of securing ships. Kavel’s group left on the Prince George in 1838. On arrival, many of them became tenants on Angas’s land at Klemzig, north of Adelaide. Inspired by the German geologist Johannes Menge, Kavel negotiated with Angas’s agent Flaxman for his group to take over a larger area in the Barossa valley. This was land Flaxman had bought with a loan from Angas. Later, in financial strife, Flaxman offered to sell the land to Angas. After refusing at first, Angas bought the valley land – a deal that put him into difficulties that relied on Kavel’s group repaying their loan.
Pastor August Kavel was the inspirational leader who took his Lutheran southern Prussian group from their initial South Australian settlement at Klemzig to the Barossa Valley in 1842. Kavel negotiated with South Australian Company chairman George Fife Angas's agent Charles Flaxman for his group to settle Klemzig, north of Adelaide, in 1838. Named after one of Kavel's German parishes and on land owned by Angas, Klemzig soon proved inadequate for Kavel’s group to fulfil their obligations to Angas, who had loaned the cost of their sea journeys to South Australia, and to provide for themselves. Inspired by German geologist Johannes Menge, Kavel negotiated with Flaxman, for the group to buy a much larger area in the Barossa valley. Flaxman had bought seven special surveys of land in the Barossa Range for £28,000, with a loan from Angas. Back in London and in financial trouble, Flaxman offered the land to Angas, demanding 10% commission and the first pick of 4000 acres. Angas refused at first but, discovering how good it was, took all the land on his own terms in 1840. This purchase forced Angas into an embarrassing selloff of shares. With their valley land bought on a tough deal of £20 an acre with 5% interest, members of the Kavel’s group impressed with their solid sober industry, propelled by a strong religious faith. Langmeil and Bethany were the first German towns, followed by others such as Tanunda, Gnadenfrei, Hoffnungthal, New Mecklenburg, Siegerdor and Neukirch. Crucially, in fragile times for the colony, the German settlers’ loan repayments allowed Angas to recover financially.
Splits between early German Lutherans in South Australia grew from a geographical divide. Pastor Augustus Kavel, who led the first group of Old Lutheran refugees who arrived in 1838 and eventually in the Barossa Valley, came from a poor background in Germany. He tended towards millennial end-of-the-world doctrine. Pastor Gotthard Fritsche, who led the 1842 Lutheran group that founded Lobethal, Bethanien (Bethany) and other villages, looked after “southern” Lutherans including Hahndorf. Fritsche was a respected theologian. He was a respected theologian, who had graduated from Breslau University, Starting with ill feeling over whether Hahndorf men should leave or share in developing the Barossa, a split erupted between Kavel and Fritzsche at the Bethany synod in 1846 over doctrine. The split between Kavel and Fritsche created separate synods (Langmeil-Light Pass and Bethany-Lobethal). This divide extended to Lutheran bodies elsewhere in Australia, with the separate United Evangelical Lutheran Church of Australia and Evangelical Lutheran Synod of Australia being formed They didn't amalgamate until 1966. Despite differences, Kavel and Fritsche had special qualities. Kavel led his congregations with moral authority. He encouraged early naturalisation and kept his group together in rural work until they prospered. Fritzsche was devoted to education and encouraged music in his congregations. At Lobethal in 1842, he started Australia’s first Lutheran theological seminary.
The Danish three-masted Skjold brought Pastor Gotthard Daniel Fritzsche and more than 200 Lutheran migrants to Adelaide in 1841. But this marked a turning point from German migrants coming for religious reasons towards economic ones. Before returning to Hamburg, the Skjold’s Captain Hans Christian Claussen collected samples of South Australian wheat, barley and oats. They were judged in Germany as being equal – and the oats superior – to any other. This created additional interest among farmers to migrate.The South Australian government, realising the worth of the early hard-working Germans migrants, published information about the colony to be distributed in Germany. In 1850, some earlier settlers formed the German Immigration Society to help and protect newly-arrived migrants.. During the early 1850s, these newcomers included more than 2000 German miners migrated from the Harz Mountains where mining had become costly, and outdated. Many of these men found work in South Australia's copper mines and smelters. The cause for German religious migration dwindled in 1840 with the death of the Prussian king Friedrich Wilhelm III who had restricted the Old Lutherans. But Lutheran religious migrants, mainly from Pastor Fritzsche’s group, were among the first to start villages such as Lobethal, Bethanien (Bethany) and Hoffnungsthal. Lobethal was founded by about 30 families who had 200 acres between them. Another group which had already settled at Hahndorf and Bethany later moved to Moculta.
The Wends (or Sorbs) added to the diversity of 19th Century German settlement in South Australia. The Wends (with their own regioal variations such as Saxon or Silesian) were devout Lutherans and mainly could speak German but they were a distinctly different ethnic group from Lusatia, in eastern Germany, where they spoke a Slavic language related to Polish. The Wends migrated after being oppressed by Prussians from 1830 and suffering in the 1848 famine and social revolutions. The first of 2,000 Wendish in 400 families arrived in South Australia in 1848 on the ship Victoria. Over the next 12 years, more arrived and lived briefly at Klemzig or Hope Valley before settling east of Gawler at Rosedale and in the Barossa Valley at Ebenezer, Neukirch and St Kitts. Others headed north to Peters Hill via Hope Valley and then Houffnungsthal near Lyndoch. St Petri Lutheran Church at Peters Hill is only one in Australia where services were in the Wendish language. Prominent Wendian family names in this area included Borrack, Duldig, Huppatz, Noack and Schuppan. (Other South Australian Wendian names include Menzel, Mickan and Modra). The Wends were devoutly religious; Johann Zwar fanatically so. From Bautzen, he led 92 Wends who arrived at Port Adelaide on Christmas Eve in 1851. Zwar and many of his group settled in the Barossa Valley at what became Ebenezer, where the only Wendish-language school was started. As Wendish settlers spread out, they were in a minority and intermarried with Germans. Within two generations, most Wendish language and culture had been abandoned.
A CHURCH DIVIDED FROM 19th CENTURY UNTIL 1966 CONTINUES TO MAKE SOLID ADVANCES
The strong Lutheranism of the earliest German South Australian immigrant groups stressed that education without religion was no education at all. This blended with a belief that faith could only be expressed properly in the German language. Thus education was a means to an end: to read the Bible and other faith literature. Almost every Lutheran church had a nearby school. Lutherans, believing that religious schooling had spiritual benefits for children, made attending Sunday school compulsory until the age of 16. But there was also the concern for maintaining the German heritage and community. This self containing of language, religion and culture did have isolating effect. To maintain their independence, most Lutheran schools declined government assistance even to run the larger Hahndorf Academy (T.W. Boehm did accept the funding) and the Deutsche Schule in Wakefield Street, Adelaide. In 1876 and 1883, the South Australian government tried to assert more control over Lutheran schools. But the Lutheran community kept to the view that church and school could not be separated and that it was important to supervise their own schools and appoint their own teachers. A lingering sense of difference came from educating German children separately in their own language. But the Lutherans had come to South Australia for political freedom and a better life. This motivated them to be energetic and loyal participants in its government and institutions. Yet resentment over the German Lutheran cultural difference would ignite passions during World War I.
Four missionaries from the Dresden Mission Society – Christian Teichelmann, Clamor Wilhelm Schurmann, Heinrich Meyer and Samuel Klose – arrived on the same ship as governor George Gawler in 1838. Recommended by Pastor August Kavel, the German missionaries were sponsored by the devout Christian chairman of the South Australian Company, George Fife Angas, to work with the Aboriginals. This mission, abandoned by 1848, had been discounted as a harmful failure – even by the Dresden mission society. Yet the Dresden missionaries may have come closest to finding a way to avoid the disastrous effects on Aboriginals of colonising South Australia. The missionaries faced many obstacles and opposition, not least from the protector of Aboriginals Matthew Moorhouse who doubted that their efforts were worthwhile. Nor did George Fife Angas understand that their approach to Aboriginals was not to civilise – assimilate, Europeanise – but, firstly, to make them Christian within their own culture. Building on Hermann Koeler's ealier work, Schurmann and Teichelmann learnt and documented the Kaurna language. In 1839, they opened a school at Piltawodli (in the west parklands, north of the River Torrens) where Aboriginal children were taught to read and write in Kaurna. They translated the Ten Commandments and some German hymns into Kaurna. They preserved more than 2,000 Kaurna words – pivotal in the modern revival of the language. When the Piltawoldi experiment failed, Teichelmann went his own way and set up another doomed mission: the “Ebenezer” farm south of Adelaide.
The Australian Lutheran College in North Adelaide is at the end of a meandering journey from Pastor Gotthard Fritsche’s small theological college at Lobethal in the early 1850s. The journey was complicated from the doctrinal split between pioneer pastors Kavel (died in 1860) and Fritsche (1863) that led in the 19th Century to the separte Evangelical Lutheran Church of Australia and the United Evangelical Lutheran Church in Australia. Australian Lutherans looked from the 1860s for trained pastors from Germany and then, from the 1880s, from the United States of America. A theological seminary for pastors and teachers started in Murtoa, Victoria, in 1892. Pastor J.F. Kunstmann of Concordia Seminary, St Louis, USA, became its professor and next year it became Concordia College and Seminary. In 1921, when five small Lutheran synods combined into the United Evangelical Lutheran Church in Australia, they started the Wartburg Seminary in Tanunda and then North Adelaide as Immanuel Seminary with Immanuel College. When the two main Lutheran churches merged in 1966, Luther Seminary, to train pastors, started on the campus of the former Immanuel Seminary in North Adelaide. In 2004, Luther Seminary was renamed the Australian Lutheran College, as part of Australian higher education. In 2009, Australian Lutheran College became a college of the Melbourne College of Divinity, while keeping its theological, ecclesial and financial independence as the tertiary institution of the Lutheran Church of Australia.
MENGE BROUGHT OUT BY THE SOUTH AUSTRALIAN COMPANY AS GEOLOGIST IN 1837
A visionary polymath, with a touch of eccentricity, Johannes Menge was an inspiring figure for early South Australian German settlers. Born in Steinau, Hesse, Germany, in 1788, Menge had little formal education but keenly learnt languages during extended wandering through Europe. Adding to his knowledge of philosophy, medicine and religion, Menge gained an honorary degree of professor of mineralogy from Lubeck University in 1821. After his wife died in 1930, Menge moved to teach languages in London, where he met George Fife Angas, the South Australian Company chairman. Menge arrived on the Coromandel at Kangaroo Island in 1837, taking up Angas’s offer of a job as the company’s mine and quarry agent and geologist. When his eccentricity led to dismissal, “Professor” Menge moved to the South Australian mainland and had a major impact of the minerals search, while engaging many other interests. Menge guided German immigrants to settle in the Adelaide Hills and Barossa Valley (“New Silesia”). Menge inspired Pastor August Kavel to take on a much larger section (11,200 ha) of Angas’s land in the valley for a German settlement. Menge lived for a while in the valley in a cave on the banks of Jacob’s Creek's junction with North Para River. He diverted the creek’s flow to create an island where he grew vegetables. Menge had visions for higher education. When governor George Grey and his wife wanted Menge to teach them the Hebrew language, he refused because the governor wouldn't establish a school of mines and industries. Menge was among the first Germans granted British citizenship, after a delay of eight years, in 1847, when Germans in South Australia gained their own newspaper, Die Deutsche Post, edited by Menge.
Johannes Menge has been dubbed the father of Australian mineralogy exploration. Although Thomas Burr has been credited with making the first scientific study of South Australia’s geology, it was Menge’s enthusiasm that encouraged South Australia to be explored for minerals as well as wider settlement. Shrugging off his short-lived (1837-8) employment on Kangaroo Island as the South Australian Company’s mine and quarry agent and geologist, Menge went to the mainland to explore an area from Mount Remarkable to Cape Jervis. By the end of 1840, Menge had collected more than 200 mineral specimens and, in 1841, his booklet, The Mineral Kingdom of South Australia was printed. Some of his first discoveries were the copper in the Adelaide Hills and opal – possibly an Australian first – at Angaston. On his recommendation, George Fife Angas bought what Menge called New Silesia, which “would become the first mining country in all Australia”. The area became the Barossa Valley, now world famous for wine. Menge applied several times to be government geologist but the governor wasn't interested, nor did the colony have the money. Menge’s exploits opened the way for that money by encouraging the discovery that led to a mining boom after the 1845 discovery of the Burra Burra copper that saved the fledgling colony. Before that, in 1842, was the first large metal find: Kapunda copper. The mine was formally opened in 1844 by Menge, who found more copper nearby. In 1852, Menge, at 63, walked to the Victorian goldfields where he died exhausted and ill in winter near Bendigo.
Carl Zaccharie was heading a group of German miners operating the Wheal Gawler mine at Glen Osmond by 1850 – in addition to the 80 from Harz Mountains working at Burra copper mine by 1851. Zaccharie was part of the influx of German geological expertise into South Australia after the discovery of copper in the 1840s. His geological report, originally written in German and published in the local German-language newspaper, was later translated and published in the English press.). He also dis a report on on the Burra copper mine and the associated mineralisation. In 1851, “Herr Zachariae” was also named as scientific superintendent of the Lobethal Union Mining Company. Other Germans working in South Australian mining and geology at that time included Gustav A.H. Thureau and J. Wilhelm T.L. von Blandowski, along with Dr Ferdinand von Sommer who was employed at Burra to make drawings of the mining field. In 1848, Dr Georg Bruhn was advertising his services as a mineralogist, geologist, miner and chemist in Adelaide. He published his views on the (later confirmed) possibilities of coal being found in South Australia and he sourced local finance to explore for deposits. Ironically, George Bruhn was among the German experts who went to other colonies (von Sommer to Western Australia) to make discoveries that brought South Australian mining to a halt. This is particularly so with Bruhn who discovered gold in Victoria in 1852.
Georg Bruhn arrived in Adelaide, in 1847, with a treasury of talents. Born in Heide, Dithmarschen, he'd studied music in the family tradition and examples of his detailed paintings and sketches are at Australian galleries. Although he practised medicine effectively from arrival in Adelaide, no records of qualifications have been found but he had a good knowledge of chemistry. Bruhn graduated with philosophy doctrorate from the University of Jena in 1840. These studies included geology and chemistry and he was also a technical director for a coal-test plant at Rosswein. In 1842, he published a short textbook on the need for farmers to have scientific knowledge to improve their techniques. This was used at an agricultural school in Saxony where Bruhn taught in the 1840s. Bruhn perhaps left Germany to avoid the 1848 revolution but his interest in geology fitted South Australia’s mining boom. Initially the family settled in Rundle Street, Adelaide, and Bruhn in 1848 advertised as “Mineralogist, geologist, miner and chemist [available for] examining mineral lands and searching for ores [and] conducting assays and chemical analyses”. That year, Bruhn gave public lectures at the library and mechanics institute on mineralogy and geology. These were to advertise his services and raise money for mineral explorations. Subscriptions of £5 each were sought for an expedition to search for much-needed coal. By November, he’d raised £155 to start geological surveys with four other men and a horse and cart. Bruhn pushing into the semi-arid north. Heat and bad roads forced the group to return in 1849 but Bruhn was still convinced coal could be found and intended to make another expedition. In the meantime, he went to Victoria on a mineral search that changed Australian history when he found gold in 1851.
Charles Rasp (real name: Hieronymous Salvator Lopez von Pereira) was born in Saxony in 1846 but from Portuguese ancestors who changed their name and were being pursued by the financier Rothschild. After a first-class German education, Rasp worked for a chemical plant in Hamburg before joining the army. During the Franco-Prussian war, he left for Australia. From the 1870s, he worked on pastoral properties in Victoria, NSW and Queensland when gold and silver discoveries were made, including Silverton. Rasp always carried his Prospector’s Guide, bought in Adelaide. Believing he’d discovered an outcrop of tin, Rasp, James Poole and David James pegged out a mineral claim at Broken Hill in 1883. Rasp was in a syndicate of seven, each contributing £70, that formed Broken Hill Proprietary in 1885. It became the world’s largest lead, silver and zinc mine – with its mineral smelted at one of South Australia’s first big industrial plants at Port Pirie. In 1886, Rasp married German-born Adelaide waitress Agnes Marie Louise Kleversahl. Rasp bought, and enlarged by 12 rooms, a Medindie house they named Willyama, the Aboriginal name for Broken Hill. Rasp died in 1907. Wife Agnes and servant Anna Paech left to live in London and Germany. When she returned to Adelaide in 1921, Agnes, considered an enemy alien, had all her property and shares confiscated under the Enemy Property Act. It was returned only through a special act of federal parliament, sponsored by Billy Hughes
GERMAN POLITICAL MIGRANTS ARRIVE IN THE WAKE OF 1848 FAILED SOCIAL REVOLUTION
Christian Leopold von Buch, one of the 19th Century’s most important geologists, was a sponsor for what has been called “the single most important group of German intellectuals to come to Adelaide” in 1849. Von Buch influenced Charles Darwin’s work and was called the greatest geologist of his time by another famous German colleague Alexander von Humboldt. Humboldt was a patron of the Schomburgk brothers: explorer Robert, botanist Richard and physician Otto. Humboldt intervened when Otto was arrested in 1839 for political activities. By 1848, Richard and Otto, as black-listed liberals, saw little hope for democracy after the failed 1848 German social revolution and formed the Berlin Emigration Society of mainly professional and business men and artisans. With help from Humboldt, Berlin Academy of Sciences and a generous 300 thalers from von Buch, the Schomburgks joined others to charter the Prinzessin Luise (Princess Louise) that took 162 men, women and children from Hamburg in March 1849 and arrived in Port Adelaide in August. Besides future Adelaide Botanic Gardens director Richard Schomburgk, others in this group to become eminent South Australians included composer Carl Linger (who wrote the "Song of Australia"), naturalist Marianne Kreusler, educationist Carl Meucke, painter Charles Schramm and winemaker Herman Buring. The Princess Louise group as a company in 1850 bought land four miles from Gawler Town on the Gawler River. Several families funded a church and school for a township they called Buchfelde after Christian Leopold von Buch.
Richard von Schomburgk and his brother Otto led the settlement of Buchfelde, named in honour of geologist Leopold von Buch who helped finance the charter of the Prinzessin Luise that brought the group of German liberal intellectuals and their families from Hamburg to Adelaide in 1849. The Schomburgks bought land next to the Gawler River and near Gawler Town, north of Adelaide, that became the core of a settlement for the Princess Louise group. The Schomburgks were anxious to fulfil the faith of another famous geologist Alexander von Humboldt and the Berlin Academy of Sciences who’d also backed their venture. But their first priority was survival by farming their Buchfelde property. Richard Schombugk brought a background as botanist and former gardener at Sanssouci, Frederick the Great's palace at Potsdam. Shortly after their arrival in 1849, the Schomburgks had 60 acres under crop and cattle and developed an orchard and vineyard. The vineyard produced several excellent wines. Richard Schomburgk introduced the sultana grape to South Australia. The brothers became involved in the wider community, with Otto, a justice of the peace, starting the Süd-Australische Zeitung newspaper and being one of the first trustees of Gawler Town and Investment Society in 1856 – a year before he died, aged 48. Richard became chairman of the Mudla Wirra District Council in 1861 and the curator of the Gawler Museum. In 1865, he was appointed director of the Adelaide Botanic Garden and sold his vineyard to chemist Carl Thorop who leased it to neighbouring vigneron Friedrich bis Winckel.
Alexander Schramm, who travelled from Hamburg to Adelaide on the Prinzessin Luise in 1849, aged 35, was the most accomplished professional artist active in colonial South Australia and the first to be trained in Europe – at Berlin Academy of Arts. With a reputation in Germany, he won prizes at the South Australian Society of Arts exhibitions of the 1850s and 1860s, before died in 1864, aged 50. Unlike his colonial contemporaries, Schramm produced markedly different styles and genres from a wide sophisticated background. Schramm did finely wrought oil portraits of Adelaide gentry, an outstanding religious painting, small chalk lithographs of colonial scenes, and a plaster bust of an Adelaide notable. His range of styles was matched by an intellect sharply critical of colonial realities, especially regarding Aboriginal people. Most of Schramm’s creativity was devoted to depicting Aboriginal people with sympathy at a time Europeans were destroying tribal life. Adelaide, a tribe of natives on the banks of the river Torrens (1850) is Schramm’s first and largest known painting. It shows Kaurna people in Adelaide parklands. Schramm was the first South Australian artist to depict the distinctive red river gum trees. Several works were initially lithographs that Schramm produced for a wider market from 1854, using Adelaide firm Penman and Galbraith. Schramm won first prize in the South Australian Art Union Exhibition in 1859 for another important Aboriginal-theme painting, Bush Visitors, that a newspaper had previously called Blacks at a Cottage Door.
Carl Muecke, one of the liberals who left Germany after the failed 1848 revolution, brought his fervour for education and science to South Australia. An educationist in 1840s Prussia, he provoked authorities with controversial articles, edited the Pädagogische Jahrbücher and a children's newspaper, directed the Norddeutscher Volksschriften-Verein, reorganised schools and wrote books for artisans, peasants and children with science and technology in story form. In 1847, the University of Jena, gave him a Ph.D. without exam or thesis. After the 1848 revolution, he sailed with like-minded companions on the Prinzessin Luise from Hamburg to Adelaide in 1849. Muecke was invited to become pastor of the Tanunda’s Tabor Church after rifts in Lutheran ranks. To Pastor Kavel’s Old Lutherans, Muecke and his group were Weltkinder: liberal latitudinarians and blasphemers. Muecke became a stalwart of South Australia’s German press for 40 years as proprietor, editor and journalist. His editorial policy, with Martin Basedow, his son-in-law and partner in the Tanunda Deutsche (later Australische Zeitung), differed in giving more space to colonial than Fatherland affairs. Despite being rejected as inspector of German schools in 1851, Muecke’s idea for a German Teachers' Federation was adopted. He advocated for an agricultural college, state school system, teachers' colleges and libraries, school inspections, science teaching and compulsory attendance on the centuries-old German model. His scientific interest included wheat diseases. In 1878, Adelaide University of awarded him an M.A. ad eund.
Friedrich Wilhelm von Lindrum is another extraordinary story of German multi talent. Lindrum, a young Prussian student of philosophy, arrived in South Australia on the Princess Louise in 1849, and set himself up as vigneron in Norwood. This would lead to him becoming one of the great winemaking pioneers by being Australia’s first gold medal winner for wine at the London International Exhibition of Fine Arts in 1873 and, by invitation of the French, he became Australia's first international brandy judge at the Paris Exhibition, 1874. But Lindrum had already achieved global fame in a completely different field. As an accomplished billiards player, Lindrum was selected to play against “the world’s supreme master”: the English champion John Roberts Snr. Lindrum won. The Lindrum family dispersed interstate and overseas but the expertise in billiards and snooker recurred with five world-class champions, including Horace and Walter, in the next four generations and it dominated cue sports for 105 years. Clara Lindrum, a granddaughter of the original Lindrum, also played billiards but could never test her talent, due to lack of female competition. She proved herself in another completely different field: by forming Australia’s first Dixieland band in 1922. Over the years, branches of the family have maintained an interest in wines, including some sourced from Langhorne Creek.
Friedrich Krichauff was the first South Australian German elected to the colony’s parliament in 1857. The son of a supreme court judge in the German duchy of Schleswig, Krichauff had been apprenticed at botanic gardens linked to University of Keil where he passed first class in exams after matriculating at the University of Berlin. When the 1848 social revolution blocked his career as gardener and botanist, he left for South Australia and settled in the Bugle Ranges. He became one of the (mainly Prussian) Germans making up about 7% of the population and the largest “alien” group in the colony. Germans were granted the right to be naturalised (and legally buy land), with “all the rights and capabilities of British-born subjects” from 1839. But this didn’t include being able to vote or stand for the Legislative Council. Others from the 1848-49 wave, notably Carl Muecke, Frederick (Martin) Basedow and Richard Schomburgk, pressed for this right that was granted as part of the enlarged franchise of the House of Assembly in 1857. Krichauff, who also was chairman of Macclesfield and Strathalbyn district councils, was elected to the Mount Barker (1857), Onkaparinga (1870) and Victoria (1884) seats in the house and Southern District (1890) in the Legislative Council. Krichauff was followed as South Australian German members of parliament by Emil Wentzel, Frederick (Martin) Basedow, Rudolph Henning, Robert Homburg, Johann Scherk, Johann Sudholz, Louis von Doussa and Hugo Muecke. By 1899, Friedrich Paech the first of the second-generation members had begun his term.
Carl Linger, an intellectual refugees from the 1848 German liberals' revolution, wrote the melody for the patriotic “The Song of Australia” in 1859. Linger, who had studied at the Institute of Music in Berlin, came to South Australia in 1849 on the Princess Luise. He settled in Gawler, grew potatoes and went broke but had much more success in Adelaide where he won access to the wealthiest families as a music teacher. He was the founder and conductor of the German Liedertafel in 1858 and composed church music, including the “Ninety-third Psalm” and “Vater unser”. He conducted Adelaide's first philharmonic orchestra and its first performance of Handel's Messiah in 1859. He often visited the Lutheran pastor Gotthard Fritzsche at Lobethal to attend his choir rehearsals. Linger was active in most of the musical and choral societies. For several years, he played the harmonium at St Francis Xavier’s Cathedral. Caroline Carleton’s “The Song of Australia” poem won a contest at Gawler Institute. Next phase was a contest to compose the song for the poem and lodge it in a week. Of the 23 entries, Linger's tune won. “The Song of Australia” was a candidates for national anthem in the 1977 plebiscite. It was clear favourite only in South Australia.
Naturalist Marianne von Kreusler arrived in South Australia from Hamburg on the Princess Louise in 1849 as a 38-year-old widow with her son and two daughters, and settled at Buchfelde, near Gawler. Marianne von Kruesler farmed her land and became close friends with other German South Australian '49ers Dr Ulrich Hübbe, Richard and Otto Schomburgk and Tanunda pastor Dr Carl Muecke, as well as James Martin of Gawler. Kreusler devoted most of her leisure time to natural history. From her own research and exchanges with other naturalists around the world, including the famous Austrian naturalist Franz Anton Nickerl of Prague, Kruesler built an extensive collection at her home of birds, animals, butterflies, beetles, shells, coral, reptiles and minerals. Her specialty was entomology, particularly beetles. She found new subspecies of beetles in searches in the local scrub with one of her granddaughters. Entomologist Johannes Odewahn also helped her briefly and Friedrich Schultze was another naturalist among Buchfelde settlers. Kreusler also collaborated with Ferdinand von Mueller, who was appointed Victorian government botanist in 1853 after six active of years of research in South Australia that resulted in his 1852 paper to the Linnean Society of London on the colony’s flora. Also acknowledged as an authority on Australian entomology, Kruesler was elected an honorary member of the Linnaean Society. One of Kreuseler’s collections was bought by the South Australian Museum for the large sum of £210 and she also gave specimens to Gawler Institute.
'SONG OF AUSTRALIA' COMPOSER CARL LINGER AND OTHERS ARRIVE AFTER 1848 REVOLUTION
Adelaider Liedertafel 1858 is the oldest continuing choir in South Australia, oldest continuing male choir in Australia and close to oldest choir of any type in Australia. An Adelaider Liedertafel formed in 1850-51 under the conductor Carl Linger, composer of “Song of Australia”, rehearsing in Wiener-Fischer's cafe in Rundle Street until disbanded 1855 when Robert Wiener and George Fischer left to operate Tanunda Hotel. It merged with a choir rehearsing in Hotel Europe, also under Linger. Deutsche Liedertafel, founded at Hotel Hamburg in 1848-49, joined Adelaider Liedertafel in 1858, with Linger conductor (until he died in 1862) and J.W. Schierenbeck as president. In 1878, at the choir’s inspiring 20th anniversary concert in Adelaide Town Hall, it presented its first songs in English. High point of its popularity was the 50th anniversary concert in 1908 on the exhibition grounds, North Terrace. Guest choirs were Adelaide Orpheus Society, Adelaide Choral Society, Adelaide Bach Society, Port Adelaide Orpheus Society, Adelaide Glee Club and Broken Hill Quartette Club. The state governor spoke of the immense value of German immigration. Five years later, with World War I, concerts stopped. Again, with World War II in 1939, many members were interned, though singing continued. Friends in Tanunda hid sheet music and its 1860 banner donated by J.F.M. Armbrüster. In 1945, Hermann Homburg started rebuilding the choir with eight members and Emil Metz conducting. In 1978, it received the Zelter plaque from the Federal Republic of Germany government for contribution to German song.
Carl (Charles) Puttmann rose to eminence in 19th Century Adelaide as music teacher and composer. He was the Cologne-born son of Hermann Puttman, a literary staff member of Cologne Gazette, who was forced by civil unrest in 1848-49 to emigrate to England and then Melbourne where he was a prominent contributor to local German newspapers. Carl Puttmann studied violin under the best Victorian teachers, and by 1858 was playing professionally. He accompanied the Lyster Opera Company on its first grand tour of New Zealand and Australia. During that tour in 1863, he decided to stay in Adelaide as a music and singing teacher. In 1865, he married a daughter of the Rev. Dr. Loessel, and in 1866 became conductor of the Adelaide Liedertafel, a post he held for 20 years. The society’s first performance under his baton was also the first amateur opera in Adelaide: Die Mordgrundbruck bei Dresden at the Theatre Royal in 1868. Putmann also gained repute as a composer. His Victorian Cantata was written for the Adelaide Jubilee International Exhibition of 1887. It opened with variations on Carl Linger’s “The Song of Australia” and ended with a fuge on “God Save the Queen”. Puttmann taught music at St Peter’s College, Prince Alfred College and Christian Brothers’ College and a private practice. Puttmann died after a horse carriage accident coming back from Belair national park in 1898. The Liedertafel sang at his Mitcham cemetery grave the chorus that Puttmann had taught them years before: “Es ist bestimmt Gottes Rath” by Ernst Freiherr von Feuchtersleben.
Heinrich Schrader was patriarch of one of Adelaide’s most remarkable families, with five of his six children also shining musically. Heinrich Schrader was born in 1832 in Brunswick, Germany, where he learned to play cornet, cornopean and contrabass plus music theory and composition. He joined Brunswick military artillery band and saw service against the Danes. He sailed for the Victorian goldfields in 1857 but was convinced by fellow passengers Adolf Leschen and Theo Niehuus to get off at Adelaide. He became singing teacher at Leschen’s Deutsche Schule in Wakefield Street, Adelaide, as well as conducting the military band and his own Brunswick Band. His second son Herman, educated at the Deutsche Schule and Whinham College, left around 1878 to study music under Hans von Bülow in Munich, as a pianist, violinist, cellist and composer. He returned just after his father’s death, making his South Australian debut at a Liedertafel concert in Kapunda. In 1881-82, he performed with Adelaide String Quartet and, in 1883, became music examiner at Adelaide University. After more study in Leipzig, Germany, he became music professor at Melbourne University conservatorium in 1889. Anna, Heinrich’s eldest daughter, a classically trained singer, featured in concerts in Adelaide and Sydney. Fifth son Charles was one of South Australia’s leading cornet soloists by 1885. Heinrich Schrader’s eldest son, Heinrich, led Concordia, one of Adelaide’s most popular brass bands. Main claim to fame of another son Otto, pianist and composer, was his march “Beneath the Southern Cross”.
Hahndorf-born Immanuel Gotthold (I.G.) Reimann became central to starting South Australian serious musical life. He was born in 1859 near Hahndorf, from parents who were also part of migration after the 1848 revolution. At 14, he went to Adelaide to become a schoolteacher but a throat ailment forced a switch to a musical career. He studied the piano with Otto Stange. In 1875, Gotthold became music master at the Hahndorf Academy. Two years later he worked as a music teacher in Adelaide. Acting on his father's last wish, he completed his musical education from 1880 in Berlin at the pianist Theodor Kullak's renowned Neue Akademie der Tonkunst and at the Scharwenka Konservatorium. With his diplomas, he returned to Adelaide and, in 1883, founded the Adelaide College of Music. From 1890, Reimann brought Helpmann Heinicke, Otto Fischer and Hermann Kugelberg from Germany as teachers. The college won repute and by 1896 attracted 250 students. When Thomas Elder’s bequest enabled a public conservatorium to be founded in 1898, Reimann's college was informally incorporated and his teachers and pupils transferred to the Elder Conservatorium of Music without compensation. For 30 years, as the conservatorium's piano teacher, eventually assistant director, he helped shape Adelaide University music curriculum. He became honorary pianist and director of the Adelaide String Quartet Club and Adelaide chamber music concerts – though not during World War I. Reimann was elected first president of the Musical Association of South Australia in 1930.
Albert Mümme, a prolific Adelaide music teacher, was another German-heritage South Australian composer to display overt patriotism – forgotten during the anti-German World War I backlash. During fundraising for the South African War (1899-1902), Mümme’s song “For the Flag” was popular at 1000-voice concerts by public and private schools in the exhibition building. He also wrote and performed “The Royal Salute” for the Duke of York’s visit and arranged and conducted orchestral works for services at St Peter's and St Francis Xavier's cathedrals celebrating the coronations of Edwards VII and George V. Born in Adelaide in 1868 to a German immigrant Heinrich Gustav Friedrich Mümme and Emily (nee Clisby), Mümme had an uncle Carl who was an tenor in the Liedertafel choir (conductor 1886-91) and St Francis Xavier's Cathedral choirmaster. His grandfather Redford Clisby opened Adelaide's first musical instrument warehouse. At the German School in Wakefield Street, Adelaide, Mümme learnt music from six and later studied with Italian teachers: piano and harmony under Signor Giorza and singing under Faustino Ziliani. He added violin under Francesco Gargaro and bowing under Raffaele Squarise. At 14, he composed with music to D. H. Bottrill's “Haven of Love", bought by Glasgow publishers Kerr and Co. At 17, he was violinist and pianist at the Theatre Royal under Squarise. He played in many Adelaide orchestras and ensembles. He combined with Ziliani and Signor as a popular vocal trio. He also became well known with his music school and teaching at public and private schools.
August Moritz Hermann Heinicke was brought out from Germany in 1890 as violin teacher at the Adelaide College of Music by its directors Gotthold Reimann and Cecil Sharp. Heinecke was acclaimed soon as Adelaide's premier violinist and violin teacher. When the Elder Conservatorium of Music opened at Adelaide University in 1898, the college closed and Heinicke became a senior conservatorium teacher. His other major impact in the 1890s was as a conductor. Charles Cawthorne’s Adelaide Orchestra in 1893 became Heinicke's Grand Orchestra, with 45 players; soon the most popular of the musical groups. In 1898, his group became the Conservatorium Grand Orchestra, including students and amateurs, but university regulations prevented his continuing as conductor when it became the Adelaide Grand Orchestra. Heinicke continued to conduct a depleted conservatorium orchestra until 1910. Next year, he reformed his Grand Orchestra that survived until 1914. In 1890, Heinicke had proposed a United German Gentlemen's Singing Society. Sixty-four men formed the new Adelaide Liedertafel that Heinicke conducted successfully until World War I. Heinecke also played in the one-year (1891) revival of the Adelaide String Quartet Club. In 1914, with strong anti-German feelings affecting Adelaide, nine university students, who felt that Heinicke “had attempted to affront British sentiment at a public concert” assaulted him and painted the union jack on his bald head. Heinicke accepted their apology and declined to have them punished. He resigned from the conservatorium in 1916.
Lobethal-born dramtic contralto with a three-octave range, Clara Serena built an international opera career at Covent Garden, London, and beyond in the 1920s/30s. Daughter of Hermann and Ida Kleinschmidt, Serena was 14 when pastoralist Peter Waite set up the Serena Trust for her education, including tuition with Guli Hack at Elder Conservatorium. Waite's daughter Elizabeth became her friend and chaperone when Serena won a scholarship in 1908 to the Royal College of Music, London. where J. H. Blower and Albert Visetti were her teachers. She qualified in 1911 with a diploma with credit, and after more study in Italy and Germany, she took the name Clara Serena. She upset Peter Waite when she married her accompanist Albert Roy Mellish in 1917. Waite forbad his children any contact with Serena but was disobeyed by his daughter Elizabeth MacMeikan who, when she died in 1931, left a generous annuity to Clara. In 1922, she made her operatic début in London. She created the title role in Rutland Boughton's Alkestis at Covent Garden and in 1926 appeared in Vienna, Berlin and Paris. During Covent Garden 1928, 1929 and 1931 seasons, her roles included Amneris, Delilah, Erda and Waltraute. She joined the British National Opera in 1937 and worked with conductors including Thomas Beecham, Henry Wood, Adrian Boult and John Barbirolli. In 1939, an American tour was foiled by World War II and she returned to Adelaide in 1951. During her career, she was befriended by other Australian singers Nellie Melba and Ada Crossley.
Brenton Langbein, another South Australian violin prodigy who started studies at five, gave his first recital in Tanunda Town Hall at eight. Born at Gawler in 1928 to German/Scottish parents, he won a scholarship to the Elder Conservatorium at 11, studied under Ludwig Schwab and started playing with Adelaide Symphony Orchestra at 14. In 1948, at 20, Brenton joined Sydney Symphony Orchestra and became a solo performer, while studying composition under Eugene Goosens. He moved to Europe in 1951 to study in Switzerland and Vienna and with cellist Pablo Casals. In 1953, he settled in Zurich and led Paul Sacher's Collegium Musicum Chamber Orchestra. Appointed violin professor at Basel Academy, he formed an acclaimed duo with Australian pianist Maureen Jones and a trio with Jones and horn player Barry Tuckwell. Langbein founded and led the renowned Die Kammermusiker Zurich that performed in Europe, England, America and Australia. He started youth orchestra schools in Zurich and Basel and was musical director of Zurich Opera Factory. He played and conducted in Australia and was musical director of Adelaide Chamber Orchestra. He died in Zurich in 1993 and is buried at Lyndoch in the Barossa Valley where the auditorium of Tanunda arts and convention centre carries his name.
Lance Ingram, who became one of the world’s great opera tenors in the 1950s as Albert Lance, had an upbringing steeped in Prussian German-speaking Lutheranism in the South Australian River Murray flats town of Cambrai. The name “Cambrai” was forced on what was previously Rhine Villa, close to what had been named Rhine River by Johannes Menge but, from 1918, became the Marne. Cambrai and Marne, part of mass German place-name changes by the South Australian government during World War I, pointed to one of Germany’s worst defeats in the war. Cambrai was a majority German town with intense Lutheranism and churches for three schisms. Lance Ingram was brought as a baby to the town, struggling with drought and Depression, in 1925. Ingram had been born at McBride Salvation Army Hospital in Adelaide and, because his Renmark father soon deserted his English mother, was fostered into the care of widow Maria Latz, who’d looked after more than 20 other child state wards. Ingram’s other influence in the household was Maria Latz’s Prussian-born father who’d arrived at Port Adelaide in 1847. He still spoke only Prussian German. Ingram’s father took him from his “Mutty” Maria to Adelaide in his teenage years. A near-death meningitis experience reunited him with his natural mother who, noticing his singing, sent him to Adelaide College of Music. This set off opportunities that saw Ingram crossing the River Marne by train on his way to being a Paris Opera star in the early 1950s, specialising in Italian tenor roles but just as comfortable with German parts.
AURICHT, FIELDER, GRAMP AND SEPPELT IMPORTANT EARLY PLAYERS IN BAROSSA WINE
Bavarian-born Johann Gramp founded what became Orlando Wines near Jacob’s Creek in the Barossa Valley in 1847. Gramp migrated from Hamburg on the Solway, arriving in Kingscote in 1837 and he working for the South Australian Company on Kangaroo island until 1839. After switching to farming at Yatala, he moved in 1847 to the Barossa Valley and Jacob’s Creek. Three years later, he produced an octave of wine: a hock later known as Carte Blanche. He was elected to Barossa East District Council in 1860s and became its chairman. His son Gustav took over the vineyard in 1903 until it was inherited by his grandson Hugo. It stayed in the Gramp family until the 1970s, when it was bought by Reckitt and Colman and then by Pernod Richard. The now-famous Jacob’s Creek was named by Colonel William Light after one of the Jacobs brothers (William, assistant surveyor to Light). The creek In the early 1840s was briefly home to Johann Menge, South Australia's first geologist, who lived for some time on an island and in nearby cave.
Joseph Ernest Seppelt, a tobacco, snuff and liqueur merchant, emigrated with his family from Prussia to Australia in 1849 to escape political and economic unrest. He moved to the Barossa Valley in 1851 after finding Klemzig unsuitable for his aim to grow and sell tobacco. Seppelt bought 64ha that he called Seppeltsfield but it also wasn’t right for tobacco. But Seppelt did grow wheat and sold it at high prices due to demand during the 1850s gold rush. Knowing liqueurs from his merchant days, Seppelt saw potential for wine. The vines he planted flourished and were entered at the Melbourne Intercolonial Exhibition in 1866. By 1867, Joseph had a full-scale winery and, by 1878, a port store cellar. When Joseph died in 1868, his eldest son Oscar Benno Pedro Seppelt, at 21, inherited a 55% share and bought out his younger siblings. Benno helped earn the winery a reputation for quality. By 1900, the Seppelt Winery was Australia's largest and a Barossa icon, producing two million litres annually.
(Oscar) Benno Seppelt, who built Seppeltsfield into Australia’s largest winery, was educated at Tanunda school. His interest in science was stimulated by chemistry classes from Carl Meucke, who also gave lectures on agricultural chemistry to Tanunda Vintners & Gardeners Association. Determined, with natural ability, Benno succeeded father Joseph in managing the company in 1870. He expanded the family business (he had 13 surviving children), helped by wife Sophie Schroeder. They extended their responsibility to employees and grape growers and the community. Benno was generous with his wine knowledge. Oscar Benno Seppelt II, the eldest of his sons (the daughters were excluded from the business), was educated at Prince Alfred College and the Royal Viticultural Research Institute in Vienna. He became chairman of directors after his father died in 1931. As Oscar Benno II had no children, the chairmanship passed to brothers Leo Renato (1939) and then Udo Waldemar and son Robert. After a share market struggle, B. Seppelt and Sons was taken over by SA Brewing Company in 1985.
The Wolf Blass whirlwind of energy, innovation and fun hit the Barossa Valley wine industry in 1961. Born in Stadtilm, East Germany, Wolf Blass, a young German winemaker with a kellermeister diploma from Wurzburg Wine University, was working in England, when he received on offer from Kaiser Stuhl/ Barossa Valley Co-operative to create sparkling wines to compete with Orlando’s Barossa Pearl. Blass spent three years with the cooperative whose cash-strapped state encouraged innovation. Blass also brought fun to the valley with the Horse and Herring Club, a casual gathering that broke down the taboo against local winemakers mixing socially. Moving to Thebarton, Blass became a freelance technical advisor, converting companies “from port and sweet wines into table wines”. The wine he made for others was noticed by judges and critics. Blass created 2500 bottles of his own wine in 1966: a blend of Victorian Great Western Malbec with Langhorne Crek shiraz grapes, bought with a loan from Brian Linke. In 1969, Blass became manager and chief winemaker at Tolley Scott and Tolley. When forced, Blass chose to continue making his own wine in an “old army shed” on the Sturt Highway with grape growers and colleagues such as Bob Cundy and "Darkie" Liebich from Rovally Wines who bottled the “first big” vintage, in 1967, free of charge – in return for Blass making him Charmane that became Australia's No.1 sparkling. He began Wolf Blass Wines International in 1973 and, with winemaker John Glaetzer on board, four Jimmy Watson trophies added to the company’s dizzying global growth.
ADELAIDE BOTANIC GARDEN TRANSFORMED FROM 'STERILE WASTE' AFTER 1865
BRINGING NEW LEVEL OF SKILLS AND INVENTION TO LARGE RANGE OF ACTIVITIES
Ulrich Hübbe had a key role in one of the most momentous acts of any South Australian parliament: passing the Real Property Act 1858 that introduced the Torrens system (named after Robert Torrens) of simplified land title handled by brokers without the need for lawyers. Hubbe had been a barrister in Hamburg where he helped religious groups, including one led by Pastor Gotthard Fritzsche, to migrate to South Australia. After Hamburg’s great fire in 1842, he went to England and, helped by George Fife Angas, sailed to Port Adelaide. He failed to sublet land in Barossa Valley and was gaoled for insolvency. After discharge, he was naturalised and opened schools at Kensington (1847) and Buchfelde (1851). In 1855, he returned to Adelaide and taught languages. In 1856, with public debate on transferring real property, Hübbe advocated the system used in Hamburg and other Hanse towns. This brought him to Torrens’ notice. In 1857, at Angas’s expense, Hubbe published The Voice of History and Reason Brought to Bear Against the Absurd and Expensive Method of Encumbering Immoveable Property. This criticised the first draft of Torrens’ measure and translated the Hanseatic system. Hübbe advised Torrens and supporters in passing the parliamentary bill. Although spurned by Torrens, Hübbe helped to fend off attacks on the act by the legal profession and supreme court judges Benjamin Boothby and Edward Gwynne. Hübbe continued contributions (mostly ignored) to law reform. He abandoned teaching and later edited the Neue Deutsche Zeitung in 1875 but resigned as his eyesight failed.
Violin maker August Fiebig – also a familiar figure as a double bass player with 19th Century orchestras in Adelaide – made another special contribution to South Australia in his other interest as a master beekeeper. Fiebig, who came to Adelaide in 1882, worked with brother Carl in a violin-making business in Pirie Street, Adelaide. As one of the many beekeepers in South Australia, Fiebig reportedly had bees flying in and out of the top-floor window of the premises. A.E. Bonney, secretary of the South Australian Beekeepers Association, has been credited with urging the import of the docile and productive Ligurian bees to be protected on Kangaroo Island. In the early 1880s, the bees were imported by the South Australian Chamber of Manufacturers and, in a world first in 1885 for protecting a species, the South Australian government declared Kangaroo Island a sanctuary for the Lugurians. They remain today as the only known colony of pure Ligurian bees left in the world. August Fiebig is credited with starting the first Ligurian apiary in South Australia and conserving the genetic heritage of the breed in his hives. August Fiebig sent his first batch of Ligurians to customers on Kangaroo Island in 1887. He did operate his own apiary at Hog Bay on the island but his son Rudolph apparently did most of the bee work there. Fiebig continued with his instrument making in Pirie Street. His grandson and great grandson were also beekeepers at the apiary he set up at One Tree Hill.
Julius, a younger brother of Richard Schomburgk, was among the Germans who raised silver/gold smithing and watch making in Adelaide to an elite level– with floral motifs. Arriving from Prussia in 1850, Julius Schomburgk was soon reputed for his silver smithing and design. Committed to Victorian naturalism, his motifs featured Australian flora and fauna with figures of Aborigines. A candelabrum by Schomburgk was presented in 1861 to John Ridley who didn’t take a patent on his agricultural reaping machine, helping South Australia’s financial troubles in the 1840s. Schomburgk also sold pieces through the Rundle Street, Adelaide, shops of fellow Germans Henry Steiner and Joachim Wendt. Steiner, among those attracted by the 1850s gold rush, was, also an elite silversmith patronised by governors and was exhibited across Australia and overseas. Steiner’s designs also favoured Australian flora and fauna and Aboriginal figures. Steiner, ran a successful enterprise until his wife and two children died in the typhoid outbreak of 1883 when he sold his business to employee August Brunkhorst and returned to Germany.Joachim Wendt, who arrived in 1854, soon established himself as a well known and prize-winning watchmaker, gold and silver smith and jeweller. Wendt was in the syndicate that built the Adelaide Arcade, Freemason Hall in Flinders Street and, with August Helling, in a 60,000 acres Mallee scrub development. Wendt was also involved in mining and was director of several South Australian companies, including the Lyndoch Valley Mining Company.
The Menz biscuit story started in 1850 at a small Wakefield Street grocery shop/ bakery run by John Menz and his wife Magdalena who arrived in Adelaide from Hamburg on the Steinwaerder the year before. When John, a qualified architect, died in 1856, Magdalena ran the store until one of her two sons, William, became one of Adelaide’s first biscuit makers and in 1867 took control of the small company. In 1885, W. Menz and Co. built a plant to increase biscuit production and in 1893 expanded into making confectionary. During 1910, it grew again to produce more chocolate under the name Menzona. Over the next 30 years, it increased production and introduced new products, including the honey-flavoured Yo-Yo biscuits, in 1932. As a public company in 1951, the company kept expanding in a bigger Marleston factory with its Yo-Yos, Crown Mints (1892) and FruChocs (1948) now South Australian icons. By the mid-1960s, after takeovers and mergers, W. Menz & Co amalgamated to form Arnott-Motteram-Menz. Arnott’s took over total biscuit and confectionery production and was eventually sold in 1992 to the Sims family’s South Australian dried and confectionary Robern Dried Fruits, later to become Robern Menz of Glynde. The former Menz products are still being produced today but Arnotts removed Yo-Yos from their family assorted packets in 1997 because they were not popular enough Australia wide. Menz FruChocs was declared an official icon of South Australia by the National Trust in 2005.
Johann Carl Koster founded a large Adelaide producer of quality pottery, including collectables, in the 1880s. He was second son of Georg Philipp Koster from Hesse in central Germany who settled in 1848 in Norwood where he married Maria Karle from Mecklenburg in north Germany in 1852. Third son Heinrich, with Stepney’s Emanuel Reedy, set up a brickworks, in 1883, on a patch of clay fronting Ashbrook and Avonmore avenues in North Norwood (now Trinity Gardens). When South Australia imposed a tariff on imported stoneware in 1887, Johann, trained as a brickmaker with Cox Brothers of Norwood, joined his brother to produce earthenware pottery in the Bristolware style. By 1904, Koster’s Premier Pottery was advertising jars, spirit bottles, jugs, bowls, brewing barrels, water filters and pitchers, bread pans, milk scalders, jam jars and flower pots. Johann was deeply involved in the community and chairman of Payneham District Council. When he died in 1912, the business was carried on by sons Kelly, Gordon, Norman and Fred (born in 1900 and named Federal Century), who specialised in glazing. Electricity allowed the Kosters to produce industrial and household goods such as insulators, elements and electric jugs. Manufacturing changed: oil, then gas, replaced wood and coal. But none of the Kosters third generation took over the business and it was hit by losing $30,000 embezzled by their accountant. When the firm failed to sell the pottery in 1977, the land and buildings were bought by Payneham Council as a public reserve. The bottle kiln has been preserved on the site.
Carl Wilhelm “Bill” Wittber achieved two big feats in Australian aviation: piloting the first flight in Australia and building the first planee in Australia. Wittber was born in 1879 at Salisbury, north of Adelaide, where his father Carl August Wittber was the second headmaster of its school. Bill Wittber left school at 14 but continued his education at the School of Mines and Industries and was apprenticed to Ellis & Clark, electrical engineers. He joined the crew of trading steamer SS Narung as its electical engineer and discussed with other engineers the possibilities for heavier-than-air machines. He had a growing enthusiasm for aviation when he returned from sea life in 1902. When businessman Adelaide Fred Jones imported the kit for a Bleriot XI monoplane in 1910, he employed Wittber to supervise the aircraft’s assembly and rigging, run the engine and oversee flight tests. The first attempts to taxi the monoplane in a Bolivar paddock were stopped by bad weather. Later, Wittber, did the first taxiing trials. When Wittber tried 50%- 60% power, the aircraft rose about five feet and travelled for about 40 yards. This Wittber hop had many witnesses and it was claimed as Australia’s first aircraft flight. When Jones’ monoplane was damaged in further tests, Wittber designed and built his own plane, including a six-cylinder radial engine (an Australian first). Taxi trials of this plane in 1915 produced longer and higher hops but the venture ended when the federal government banned civilian aircraft flying at start of World War I. Disgusted, Wittber dismantled and burnt his plane.
Carl Wilhelm Laubmann was the technically brilliant optician, inventor and a founder of Laubman & Pank that, by the 1930s, was Australia’s largest retail optical business. Laubmann was born in Adelaide inner suburb Stepney, the eldest of seven with German parents. Educated at Norwood Primary, he left in 1892, aged 14, to be trained as an optician by noted Adelaide ophthalmologist Dr T. K. Hamilton. A perfectionist, Laubmann used woodworking learnt from his carpenter father to make his own optical cabinets and metal tools. In 1900, with his family struggling after his father died, Laubman noted a demand for optician services in regional areas and set up his own business in Broken Hill. He married local musician Maude May Sullivan. In 1907, young Adelaide optometrist, Harold Pank contacted Laubmann while visiting Broken Hill as a cellist. A firm friendship formed, particularly as Pank and Maude Laubmann shared an interest in music. With changed family circumstances, the Laubmanns moved to Adelaide where Carl took up Pank’s previous idea of a partnership. Laubmann & Pank soon moved from Victoria Square to busy Rundle Street, where it flourished. In 1913, Carl was a founder of South Australian Optical Association. Due to anti-German attitudes, Carl anglicised his name to Charles William Laubman. The now-Laubman & Pank diversified into selling optical instruments. With Laubman as technician and Pank the entrepreneur, they invented and developed important optical instruments, lenses, and processes. They were also pioneers of taking optometry to rural and remote areas.
ESTABLISHING STRONG PRESENCE IN ADELAIDE CITY IN SECOND HALF OF 19th CENTURY
Adelaide city’s population from the 1830s included German Lutherans, apart from Kavel’s congregation in the separate village of Klemzig. The Dresden missionaries – Christian Teichelmann, Clamor Wilhelm Schurmann and Samuel Klose – working among the Kaurna Aboriginal people on the Native Location near the River Torrens tried to gather city centre German Lutherans into a congregation.This didn’t happen until 1846 with the Trinity Church. Doctrinal differences led to a separate congregation being formed in 1850. Two years later, most of Trinity Church's male congregation left for the Victorian goldfields. The definite start for the Bethlehem congregation was in 1860 when about six families withdrew from Pastor Borgelt’s Klemzig congregation on scriptural and confessional grounds. With several families from the Trinity congregation, and others not affiliated with any group, they formed the nucleus of Bethlehem Lutheran Church. After outgrowing the former Primitive Methodist church they took over on Light Square, the congregation bought land for the present Bethlehem Lutheran Church in Flinders Street. It was dedicated in 1872 when Pastor Teichelmann, who'd conducted the first Lutheran service in Adelaide in 1838, preached the English sermon at the afternoon service. The two-storey Martin Luther school was built behind the church in 1883. Adelaide’s city centre’s other Lutheran Church, St Stephen’s in Wakefield Street, grew from a congregation formed in Klemzig in 1848. In 1862, their first church was built in Pirie Street, Adelaide, and moved to the bigger present church in 1900.
Adelaide German Club (Der Deutscher Verein), founded in 1854, represented a class divide in the South Australian German community. The club was for educated Germans wishing to foster German language and high culture in their new land. But it was predominantly for wealthier Germans in North Adelaide and Walkerville. They were steeped in fine German literature and classical music, socialising with and even marrying British settlers of that strata, and making the club accessible to cultured British Australians. They loosened ties to the Lutheran church and sent their children to parochial schools. Many found the Adelaide Club more benefit to social and business success, and left the German Club. After 20 years’ meeting in hotels (the Hamburg in Rundle Street, then the Europe in Grenfell Street), the German Club had saved £3000 to buy land and build a French Renaissance- style elegant clubhouse, including a library and billiard room, at 89 Pirie Street, opened in 1879 by club president Frederick (Martin) Basedow. The club’s next project, behind the clubhouse, was Adelaide's 1500-seat Albert Hall, opened in 1880. The hall cost about ₤2,000, with every member contributing ₤1 to be repaid, interest free, out of profits. The scheme backfired: membership dropped dramatically and debt climbed. From around 1890, Albert Hall was neglected and a special meeting of German Freehold Company, owners for the club, accepted £4,000 from the Salvation Army for the property. From 1899, the club met in a house owned by Patrick Gay (of Gay’s Arcade fame) in Grenfell Street until it folded in 1909.
Hotels were part of an Adelaide city experience, at the start of the 20th Century, when a whole day could be spent speaking German – at shops, to the doctor or dentist, and at a konditorei (coffee shop) reading Australische Zeitung newspaper. Woodmans Inn (now Producers) in Grenfell Street was associated in the early South Australian colony with German Adelaide Hills horticulturalists bringing produce to East End Market. Heinrich Wilhelm Emcke, who ran the Tivoli Hotel for many years, also had a Hindmarsh Square woodyard. The original German Club met for 20 years in hotels (the Hamburg in Rundle Street, then the Europe in Grenfell Street) before building its own elegant clubhouse, in Pirie Street, Adelaide, in 1879. An Adelaider Liedertafel choir was formed in 1850/51, conducted by Carl Linger, composer of “Song of Australia”, with rehearsals in Wiener-Fischer's cafe in Rundle Street until 1855. It merged with a male choir rehearsing in the Hotel Europe, also under Linger. Another Deutscher Liedertafel was founded at Hotel Hamburg in 1848-49. Hotel Europe, licensed in 1855, closed in 1883 when the YMCA bought the site. Ludwig Dreyer and family were associated with Prince Alfred Hotel in Wright Street for 124 years until 1976. Another German pub, the Black Eagle in Hindmarsh Square, from 1859, became the Aurora from 1894. Hans Heysen was a regular visitor in the 1900s. The hotel had long links with members of Flinders Street German Club and Bethlehem Lutheran Church. Demolition of the Aurora in 1983 was a watershed in heritage conservation in Adelaide city.
Kuhnel’s piano and organ store at 136 Rundle Street, Adelaide, became Australia’s largest, with its name a landmark on Adelaide Arcade’s dome. Its founder, Gottfried Kuhnel from Breslau in Silesia, arrived in Adelaide on the Pauline in 1846. Kuhnel started a carpentry workshop in Hindley Street and later Pirie Street, Adelaide, but by 1859 built a lucrative business borrowing and lending money for property sales. He operated from his North Terrace home, at the corner of Austin Street. He opened his Rundle Street piano and organ shop in 1874, with an advertisememt above nearby competitor S. Marshall’s, importer of German-made pianos including Pohlmann and Son, W. Biese, G. Schewchten, Neumeyer and Bord. By the 1880s, the Kuhnel showroom was in Pirie Street near Der Deutsche Club. Kuhnel offered piano buyers two years to pay off the cost (£51 in 1885). Gottfried passed the business to son William in 1892 when Kuhnel’s were sole agent for Holling and Spangelborg, and Julius Feurich pianos, as well as importing Lipp, Rönish and Schwecten pianos. In 1898, Albert Conrad, designer of Austral Buildings in Hindley Street, created Kuhnel’s emporium that expanded to house 400 pianos, at 136 Rundle Street, opposite Adelaide Arcade. Kuhnel used the arcade's dome as a billboard with a hand pointing across Rundle Street to its shop. By the 1920s, Kuhnel’s was the largest piano and organ store in Australia, able to have manufacturers create models just for its business. William Kuhnel died suddenly at 53 in 1916 but W. Kuhnel & Co Ltd continued in Rundle Street into the 1950s.
Observatory House is an Adelaide city monument in Flinders Street to the German skills brought to the South Australian 19th Century economy. G.C.W. Kohler had Observatory House constructed in 1906. Its tower symbolised the instruments, including spectacles, binoculars and telescopes, the company made. Kohler has bought the scientific instruments manufacturing and repair business from Otto Boettger around 1899. Boettger emigrated to South Australia in 1877 from Germany. Born in Elbetfield, he was apprenticed to an instrument maker and from 1866 to 1871 and was foreman of a first-class plant in St Petersburg, Russia. He also worked in Hamburg as an astronomer’s apprentice. In 1877, he set up his scientific equipment business in South Australia. By 1890, he was selling around Australia. Around 1899, Boettger sold to the Kohlers, who Kohlers continued to trade under the Boettger name until 1974. O'Connell Street, North Adelaide, was the stite for almost a dozen German business until World War I. They included the former Konrad Bechtell's saddlers shop at No.59 and Heinrich Langeluddecke's bootmakers shop at No.89. There are also reminders between Grenfell Street and Wakefield Street and between Gawler Place and East Terrace of a large German community that built their own hospital, school, club, shops, churches and bakery in this area in the 19th Century. The Tivoli Hotel in Pirie Street is one reminder of this era.
The German Club in Flinders Street, Adelaide, ended its 130-year association with the city centre in 2019. The club grew out the South Australian German Association, set up in 1886, that moved into two former houses in Flinders Street in 1913. A previous German Club, formed in 1954, had built an elegant clubhouse plus the Albert Hall in Pirie Street in 1879-80. Debt from these projects forced their sale to the Salvation Army, with the club folding in 1909. The Pirie Street club had been predominantly for wealthier Germans in North Adelaide and Walkerville to rise in wider Adelaide society. Separately, the German Association continued to grow in popularity, though ignored by former Pirie Street German club stalwarts such as Frederick Basedow. The German Association’s club was successor to early groups that attracted South Australian Germans including Macclesfield United English and German Rifle Club (1851), German Rifle Club (1853), German Glee Club and Liedertafels. It appealed to the working and artisan classes, who lived in the country or tiny houses in the crowded Stepney and city south and east. The association concentrated on social evenings and folk culture, such as the Oktoberfest and Schützenfest. Early members kept their Lutheran faith, married Lutherans and sent their children to Lutheran schools, although the church regarded the club as having unhealthy socialist sympathies. The German Association club’s larger premises were built in Flinders Street in the 1970s but changing demographics and costs forced it to find a new home in suburban Brooklyn Park in 2019.
Frederick (Martin) Basedow parallelled his father-in-law Carl Muecke’s devotion to education, newspapers and liberalism. Educated in Germany by his father and at the gymnasium in Winsen, Basedow taught in Vierlande near Hamburg, before sailing on the Pauline in 1848 to South Australia, hoping to earn more as a teacher. He was naturalised in 1850 when he opened a Lutheran school at Tanunda, licensed with a £100 salary from the central board of education. His school, of 80 pupils, was praised for its order and science teaching. In 1863, Basedow set up Tanunda Deutsche Zeitung newspaper after part owning Süd-Australische Zeitung. Before the 1868 select committee, Basedow advocated education be free, compulsory, broad, humane and moral. In 1870, Basedow changed his newspaper to the Australische Deutsche Zeitung and in 1874 moved to Adelaide where he and Muecke amalgamated with Süd-Australische Zeitung to form the Australische Zeitung, the only South Australian German-language newspaper. Basedow, who'd been Tanunda District Council chairman, was elected to the Barossa seat in the House of Assembly in 1876. Briefly, in 1881, he was education minister. He sought better conditions for teachers. In 1879, his moves resulted in the founding of Roseworthy Agricultural College. In 1894-1900, he represented North Eastern District in the Legislative Council. Basedow may have decided not to stand for election in 1900 because of pro-Boer sympathies but he built cultural bridges as a president of the Deutsche Club and director of public and private institutions in Adelaide.
Heinrich Adolph Leschen, father of gymnastics in South Australia, was influenced by the ideas of the Friedrich Jahn while attending the University of Kiel, Schleswig. Leschen trained as a schoolteacher and belonged to a gymnastics group. Migrating in 1857, he first tried farming, then started the German School in Wakefield Street, Adelaide, and was employed at the Adelaide Gymnasium in King William Street, Adelaide, teaching German gymnastics, In 1864, he set up a Deutschen Turnverein (gymnastics club) in Flinders Street, Adelaide, attracting influential men such as chief justice Samuel Way. When Way joined the state education board in 1874, he argued for gymnastics to be part of South Australian schools. This led to Leschen teaching gymnastics in South Australian model schools, 1881-84, and demonstrating it in state schools and private colleges to encourage physical education. Leschen’s popular annual displays of mass gymnastics at the Jubilee Exhibition Building, North Terrace, Adelaide, encouraged belief in combining character-building English sports with systematic European gymnastics. Employed as gymnastics and German master at St Peter's college in 1879-91, Leschen also was part-time teacher at Prince Alfred College, 1881-92. Both colleges built gymnasiums—replicas of the model turnhalle of the Adelaide Turnverein. Leschen and third son Hugo, who studied gymnastics in Germany, pioneered medical massage (physiotherapy) in South Australia in the 1890s, working closely at Adelaide Hospital with anatomy professor Archibald Watson.
Adeline Schröder, at the age of 33, founded and ran Osmond House School at 67 Osmond Terrace, Norwood from 1883 to 1907. Schröder, who bought the property in 1869 when she was 20, had been born in Adelaide a month after her parents arrived from Hanover in Germany. Probably educated at home, Schröder had a cabinet-maker father and a mother who’d been a singer awarded a prize from the crown princess of Prussia. Schröder’s school on Osmond Terrace was for girls, with a few young boys. Enrolment was between 50 and 60, with at least three on staff. The school’s end-of-year concerts and prize giving, at Norwood Town Hall from 1884, reflected the school’s curriculum. It included musical items, piano solos, parlour plays in costume, choral items, elocution recitals, calisthenics and dancing. Special prizes were awarded for art needlework, drawing, German, diligence and conduct, music and calisthenics. Each year students received prizes for music examined at the university. Among children at the school were Elisabeth Buring, cousin of vigneron Leo Buring; and Elsa and Herbert Basedow, children of educationist, newspaper publisher and member of parliament Friedrich (Martin) Basedow MP. South Australian government education minister William Copley was guest speaker at the school’s 1892 prize-giving night. The Express Telegraph newspaper reported him saying that "Miss Schröder’s school had long been most favourably known, and … he gave testimony of his own confidence in the school by sending his own little girl (Louisa) up every day from the Semaphore to study there.”
SOUTH AUSTRALIAN GERMANS LEAD PATRIOTIC DISPLAYS AND CAPTURING AUSTRALIAN ESSENCE BUT...
Soldiers in 1914 rounded up about 300 South Australian “German” or “enemy alien” citizens. Those arrested included German and Austro-Hungarian citizens, some Australian born: a mix of farmers, intellectuals and Lutheran pastors. With them were some from Sweden, the Netherlands and one from the USA – all neutral countries. At first, they were interned in a barbed-wire compound at Keswick Barracks. As numbers grew, they were taken by boat to Torrens Island, nearly deserted except for a 19th Century quarantine station. The prisoners were interned in tents under armed guard in what was officially called a concentration camp. It was uncomfortable but not harsh. The internees were housed in tents and made to grow and cook their own food. The inmates organised cultural events and entertainment, and even published a camp newspaper, Der Kamerad. In 1915, treatment of the detainees deteriorated under a new commander, Captain G.E. Hawkes, who encouraged the guards to be offensive and violent. The flogging of an American detainee forced the US government to demand an enquiry that brought conditions into the open. The camp was quietly closed in 1915, many internees released, and others were transferred to a more humanely-run camp at Holsworthy, New South Wales. None of this became public knowledge in Australia until after the war. But the story of the incident had reached Germany and returning Australian prisoners of war told of being threatened with reprisals. Official records and any trace of the Torrens Island camp were destroyed.
The Beehive Corner and its Haigh’s chocolate store is a reminder of the anti-German feeling during World War I. The shop was originally opened as a chocolate and confectionery shop by Carl Stratmann in 1913. Stratmann was trained as a confectioner and pastrycook,with an apprecticeship under masters. He'd worked in Berlin, Copenhagen and London. His Adelaide Beehive Shop venture was dashed by outbreak of World War I and he sold the business to Alf Haigh.
Adelaide (Addie) Miethke, a driving force of South Australian patriotism during both world wars, was, ironically, the daughter of a Prussian schoolteacher. Miethke also became a teacher, schools inspector, and active in the Australian Public Schools Teachers’ Association’s push for better wages. In a 1915 address to the Women’s Non Party Political Association, Miethke outlined her ideas on girls’ technical education – a concept taken up by the education department. The energetic unmarried Miethke was president in 1936 of the Women’s Centenary Council of South Australia that raised £5000 for an Alice Springs base of the Australian Aerial Medical Service (later Flying Doctor Service) and the Pioneer Women’s Memorial Garden in Adelaide. She also designed and organised a grand Empire Parade.During World War I, Miethke had organised the South Australian Children’s Patriotic Fund. In 1940-46, she directed the School Patriotic Fund of South Australia. It raised £402,133, and money left over after the war bought a hostel, Adelaide Miethke House, for country girls studying in Adelaide. Other money went to the flying doctor service. A friend of the service's founder John Flynn, Miethke was first president of its state branch. On a trip to Alice Springs, she fostered the idea of “bridging the lonely distance”. She single-mindedly set up the world’s first school of the air in Alice Springs in 1950. Miethke continued to be involved with causes, including kindergartens and children. The Adelaide Miethke Kindergarten in Woodville honours her.
Theodor (Ted) Strehlow, born in 1908 at Hermannsburg Lutheran Mission in the Northern Territory, became one of the foremost 20th Century authorities on Aboriginal culture and language. Youngest oungest of six children, Strehlow was left at Hermansburg in 1910-11 while his missionary father Carl and rest of the family visited Germany. Young Theodor made friends with Western Arrernte children, learning their language. Strehlow was schooled through his father's strict instruction in Greek, Latin, music and scripture. Stehlow attended Immanuel College until 1927, then studied classics and English literature at Adelaide University. Aware of Theodor's unique ability as an Arrernte-speaking classicist, professor J. A. FitzHerbert trained Strehlow in phonetics and backed his Australian National Research Council grant to study the Arrernte language. Strehlow returned to Central Australia in 1932. He intensively surveyed Arrernte dialects, travelling by camel. Strehlow's project widened to include Aboriginal "literature, history and antiquities, religion & philosophy". In 1935, Strehlow was appointed patrol officer in Central Australia, the first full-time federal public servant dedicated to Aboriginal affairs. Among books he wrote in the 1950s was Songs of Central Australia, combining Greek and Norse mythological analogies into his own and his father's research into Arrernte sacred verse and totemic geography. Strehlow’s later life in Adelaide was marred by estrangment from many supporters and a controversy over handling of Arrente cultural items entrusted to him.
GERMAN TRADITIONS SIT COMFORTABLY IN THE STATE
Support for National Socialism in the Barossa Valley around World War II did arise through individuals, such as Johannes Heinrich Becker, and some Lutheran pastors. Becker, a German World War I veteran who later worked as a ship's doctor, settled in Tanunda in 1927. He became a Nazi Party member in 1932 and persuaded a small local group to join. But party membership excluded most South Australian Germans who were naturalised. And, while they remained strong culturally, local Germans – in all their diversity – showed a commitment to South Australia in many ways, including joining the Australian forces. So, although Becker, through his links with the Nazis in Germany, had the resources to even take control of the German Club in Adelaide in the 1930s, a backlash led to him being deported. (His son Heini later became a state member of parliament.) Of about 20,000 native-born Germans at the outbreak of World War II, only 21 were interned. Most of them were German nationals who had arrived since 1923. So the pockets of support for Hitler, and this included some Lutheran pastors, were more than balanced by the South Australian Germans who, despite the traumas of the World War I experiences, joined the Australian forces in World War II. Among them was Paul Gotthilf Pfieffer, linguist, translator, university tutor and poet. Pfeiffer didn't come back. He died after his plane crashed.
Barossa Valley is a blending of British and German. Tanunda is the most German of the three main towns, with traditions dating back to the 1840s and called the valley “New Silesia” when the first German settlers arrived in the area. Angaston is considered the English town, settled mainly by Cornish miners. The third (and largest) town, Nurioopta, was influenced by German and British settlers and is the commercial hub of the valley. Tanunda and Angaston are the tourist towns, centres around the strong culture of wine, food and festivals. In 2011, that special legislation was brought in to protect the heritage of the Barossa Valley and plans for growth are still resisted. The valley has evolved its own German dialect and some towns have more than one Lutheran church. Tanunda, has Langmeil, St. Paul's, Tabor and St. John's. Nuriootpa has St. Petri and Holy Trinity. Angaston has Zion and Salem (Penrice). Each major town also has a Lutheran primary school. The success of the wine industry has historically been celebrated every two years with a week-long Barossa Valley Vintage Festival. Significant food production also happens in the valley. The Herbig Family Tree still stands today beside Angaston Road, Springton, as testament to hardiness of German settlers in the Barossa Valley. The large gum tree is on land leased by Johann Friedrich Herbig from George Fife Angas in 1856. To save money, Herbig lived in the tree before and after he married Anna Caroline Rattey. They only moved out after having their second son in 1860. The eventually had 16 children.
Tanunda Kegel Club, claiming to be the southern hemisphere’s oldest sporting club, has its origins with a kegelbahn or skittles alley built in 1858 in Paul Fischer's Tanunda tea gardens in South Australia’s Barossa Valley. A precursor to tenpin bowling — kegel or kegeln (German for “skittle”) – was played by the valley’s early Silesian settlers. Tanunda’s is the only surviving kegelbahn of other Australian towns with German population. The kegeln scoring system is complex. Based on traditional German nine-pin bowling and closely related to skittles and tenpin bowling, the game’s object is to knock down nine pins. Leaving only the front pin (kegel) of the nine pins standing scores 60 points. In 1931, Tanunda kegelbahn was dismantled and reassembled at the showgrounds in wooden kegel barn style, with its narrow 38-metre alley that can be affected by soil dampness underneath, adding to its challenges. Some of original pins and wooden balls. Unlike modern kegel clubs in Germany, a pinsetter is still required to reset pins after each roll and send the balls back down. The bowling competitions were social events, mostly on Sunday afternoons, with coffee and German cakes. League competitions are on Thursday and Friday nights with the venue available for hire on weekends. Women weren’t allowed to play until the 1970s but now have their own competition. Tenpin bowling is a much more recent in Australia. The first tenpin alley in Sydney in 1937 didn’t take off and it wasn't until 1960 that tenpin became popular, when an eight-lane manually-operated centre was built at the Adelaide suburb of Glenelg.