FilmX Rated

Southern Cross film 'The Woman Suffers' (1918), made in Adelaide, significant feminist melodrama

Southern Cross film 'The Woman Suffers' (1918), made in Adelaide, significant feminist melodrama
A scene from The Woman Suffers, the 1918 melodrama filmed in Adelaide and financed by South Australia's Southern Cross Feature Films.

Made in Adelaide and the first financed by South Australia’s Southern Cross Feature Film Company, The Woman Suffers (1918) was an important and controversial film in its time, and remained one of the most significant Australian silent features.

Directed by Raymond Longford, it starred his partner Lottie Lyell and has been called Australia’s first feminist feature film. The film was a full-scale melodrama of town and country, with sumptuous settings and high fashions, entwined with a highly moral story on a familiar theme: ruination of a woman by a man.

The film, in eight acts, includes many outrages – from the drunken wife-beater husband through to two young men who seduce and abandon women, causing one to suicide and the other to attempt an abortion. All the women in the film are sympathetically depicted.

The Woman Suffers opened in March 1918 at the Theatre Royal, Adelaide, to good box office results and rave reviews. It opened in Sydney in August to good houses and ran for seven weeks but this came to an abrupt halt in October when the New South Wales chief secretary banned further screenings, without giving reasons.

The Woman Suffers was popular in other states. Its success allowed Longford and Lyell to begin work on their next film, The Sentimental Bloke (1919), also for the Southern Cross Feature Film Company and based on the book by South Australian-born author C.J. Dennis. The Sentimental Bloke has been described as the crowning achievement of Longford and Lyell’s careers, and of all Australian silent films.

Marilyn Dooley reconstructed The Woman Suffers in the early 1990s at the National Film and Sound Archive and two thirds of it survived. The Woman Suffers gave a way of assessing just how advanced Longford and Lyell's filmmaking technique had become by 1918.

Other related ADELAIDE AZ articles

Moneystack's Double Happy Vs. the Infinite Sadness won the most creative and original at the Game Connection Europe 2015 development awards in Paris.
Film >
Moneystack's game of mixed digital creation in Adelaide from 'Thin Ice' to 'Double Happy Vs. the Infinite Sadness'
READ MORE+
The Regal Theatre on Kensington Road, Marryattville, in Adelaide's eastern suburbs regained its art-deco cinema glamour under work for City of Burnside as owner and manager.
Film >
Community protest in Adelaide east suburb of Burnside saves art deco cinema with Princess to Regal history from 1925
READ MORE+
The beach girl quest heat, attracting a crowd of 25,000 at Semaphore, in 1954. Inset: Channel 9 starting telecasting the quest on Saturday afternoons at Adelaide beaches from the last 1960s.
Beaches >
Beach girl quests start in 1940s, televised in 1970s; liberating effect from the 'wowser' years for South Australia
READ MORE+
The beach girl quest heat, attracting a crowd of 25,000 at Semaphore, in 1954. Inset: Channel 9 starting telecasting the quest on Saturday afternoons at Adelaide beaches from the last 1960s.
X Rated >
Beach girl quests and Australia's first nude beach a liberating effect from the 'wowser' years for South Australia
READ MORE+
South Australia's Hollywood pioneer J.P. McGowan, as featured on the cover of his biography by John J. MaGowan.
Achievers >
J.P. McGowan: From South Australian rail town Terowie to early Hollywood actor and directing rail serials
READ MORE+
Majestic film theatre manager "Chic" Arnold (right) welcomes fellow theatre manager Dennis Kiley to one of his film premieres complete with pipe band.
Entertainers >
'Chic' Arnold brings vaudeville showbiz flair to promoting films at Adelaide's Majestic theatre in the 1950s
READ MORE+